|Tactics Ogre: The Knight of Lodis|
|Genre(s)||Tactical role-playing game|
Tactics Ogre: The Knight of Lodis (タクティクスオウガ外伝 The Knight of Lodis Takutikusu Ōga Gaiden Za Naito obu Rōdhisu, lit. "Sidestory to Tactics Ogre: The Knight of Lodis") is a tactical RPG game developed by Quest. It was originally released by Nintendo in Japan in 2001 on the Game Boy Advance, then later released by Atlus in North America in 2002.
In the chronology of the series, Knight of Lodis is a direct prequel to Tactics Ogre: Let Us Cling Together, set exactly 23 years before the events of said game. It also predates the earliest game in the Ogre Battle Saga, Ogre Battle: The March of the Black Queen.
Ovis is an island nation brutally oppressed by the Lodis empire. Alphonse Loeher is a knight in Rictor Lasanti's military unit, the Order of the Sacred Flame, and he is sent to Ovis. When he is later separated from the main forces, he meets Eleanor Olato and Ivanna Batraal, two locals from whom he eventually learns the truth about the horrific events taking place in Ovis.
Various circumstances lead Alphonse to separate from Rictor's main unit. As the plot unfolds, Alphonse begins to question the actions and motives of Rictor. He then begins his search for answers, starting with Ivanna's uncle, the sinister regent Naris Batraal, and the sacred spear, Longicolnis, which is the only instrument that can pierce the skin of the fallen angel, Shaher. It is later revealed that Rictor initially knew about the sacred spear and wanted to obtain it for the Lodis empire. About halfway through the game, the player is presented with two choices, one of which eventually leads to his falling out with Rictor. At this point, the player's choice will significantly affect all plot elements that follow.
There are five possible endings in the game (the Game Over scenario, which is gained by losing to the final boss, is also counted). The "A+" ending sequence features one additional scene which details Lans Tartare's past, in addition to the entire "A" ending sequence. To view the A+ ending, several conditions must be met, including completing the game in under 25 hours. The exact ending sequence with which the game presents the player depends on, among other things, the significant choice that the player has made halfway through the game and Eleanor's presence in the final battle. In particular, the "D" ending excludes Eleanor altogether.
- Alphonse Loeher
- The protagonist. A young knight from the Felis region of Lodis, assigned to the Order of the Sacred Flame. He leaves Lodis with his friend and commander, Rictor Lasanti, for the island of Ovis.
- Eleanor Olato
- A young, orphaned girl living at a church on Solea beach. She finds Alphonse washed up on the shore and saves his life. Alphonse later returns to her to gain information on mermaids. He would later save her life from northern troops, who likewise had come for information on the mermaids. She accompanies him from then on, and the two become lovers.
- Cybil Alinda
- A agent of the Hand of the Pope, an organization that wishes to return political power to the Pope of Lodis. She saves Alphonse's life at Formido, and contracts his services for her cause after that. After his debt is repaid, he chooses to continue serving the Hand.
- Rictor Lasanti
- The son of the Duke of Felis and a friend of Alphonse's. He is sent to Ovis under the guise of solving it's political turmoil, when in reality it is a power play by his father.
- Naris Batraal
- Lord of Ranaculus, the northern region of Ovis. The public is in the dark about his true evil nature and his assassination of the previous Lord of Ovis, his brother. Allies himself with Rictor while plotting against him.
See category below for more characters.
|Game Content||Game Features||
The Knight of Lodis takes after many of the same characteristics as its sequel. It offers a strategic field-and-class based combat system. Although the player starts with a meager army of only six units (with the classes of those units being determined by questions the player answers in the beginning of the game), the army can later blossom to as many as thirty-two.
Each character is unique, being determined by several things: material statistics, of which there are only three, strength, intelligence, and agility; alignment, ranging from chaotic to lawful; and element, based on the four classical elements. Characters can also earn emblems, certificates given after performing a specific feat or reaching a certain checkpoint. These emblems sometimes have no effect, often alter character statistics, some have a negative effect, and a few are required to advance to certain classes. The game's playable units are divided into several categories; humans, demi-humans, dragons, beasts, the undead, transcended beings and denizens of the netherworld. The human class is the only category with interchangeable jobs, with each class being marked by a required, or multiple required statistics, and often an emblem. Some classes can only be unlocked by a certain sex, while other classes are reserved only for certain special characters.
Demi-humans, non-humans, and the undead cannot change classes. Although all categories of units in the game can be persuaded in battle, the undead alone cannot be bought. Instead, undead units are created by using a certain spell on deceased units. Dragons change classes in a unique way: after reaching several checkpoints in statistics, a dragon will instantly upgrade into a certain new class, with the class being determined by the dragon's alignment. Once a dragon has upgraded, altering its alignment will automatically change its class.
After customization of the player's party, the group of units (of which the max limit on any story-based level is eight, with quest-based levels having a restriction of five) engage in combat.
Battle takes place on a large, panel-based playing field. The area is composed of terrain types and various height levels, making movement a critical factor. There are several movement types, ranging from simple walking to airborne flight. A character's movement type is determined by the class of that unit, as well as various special equipment which can change movement type. Terrain levels range from basic dirt and grass, to water (in varying depths and types), to untraversable terrain, such as lava or blank space.
In actual combat, there are also many variations. Simple melee combat can be performed, either barehanded or with single-ranged weapons, to adjacent panels. This means the attacking unit must be directly next to the target, making mobility a critical ability. Some weapons offer different attack ranges, such as the two-paneled pierce attack of spear and lance weaponry, to the two-paneled selective attack range of the whip.
Ranged attacks require the use of either a bow weapon, or a special ability. With such emphasis on movement, ranged attacks are a certain advantage, as units can be far away from opponents, offering possible immunity to counterattack. Abilities require the use of either S.P. or M.P., which both regenerate at a rate of ten per player phase, and vary in impact sizes (panels).
When all units belonging to a specific force are exhausted, having performed their restrictive one action per phase (which includes both movement and ability usage, from attacks to items), the game changes to the opposing player's phase, and back and forth until certain victory conditions have been met by one player, such as destroying all opposing units.
Famitsu magazine scored the game 34 out of 40 on release, and GameSpot.com gave the game their Game Boy Advance RPG of the Year award in 2002.
As of July 2016, holds a 4.05 / 5 user rating at GameFaqs.com.
- Since the maps to recruit Elrik and Euphaire open up at the same time, it's possible to recruit them in any order; the game will respond to each scenario accordingly. In a similar vein, Saia and Lobelia will respond if you recruited the other before going after them, but unlike the former two they are mutually exclusive.
- Along with Ogre Battle 64: Person of Lordly Caliber, this is one of the two Ogre Battle games not written by Yasumi Matsuno.
- This is also the only game in the series not to have been published for an alternate console or gotten renewed distribution (either through the Nintendo Virtual Console or a remake).
- This is the only title in the series where demi-humans, in this case the mermaids, play a central role in the story (not counting individual characters like Canopus and Iuria).
- The game's box-art features the Longicolnis and Eleanor's Pearl Necklace, both equippable weapons of importance in the story.
- Along with Ogre Battle 64: Person of Lordly Caliber, this is one of the only two games not named after a song. "Ogre Battle"; "March of the Black Queen" and "Let Us Cling Together" are all titles of songs by Queen, while "Knight of Lodis" and "Person of Lordly Caliber" are not.