|Ogre Battle: The March of the Black Queen|
|Publisher(s)|| Super Nintendo Entertainment System|
|Composer(s)|| Hitoshi Sakimoto|
|Genre(s)|| Strategy RPG |
|Rating(s)||ESRB=K-A (Kids to Adults) PEGI=7+|
Ogre Battle: The March of the Black Queen (伝説のオウガバトル Densetsu no Ōga Batoru , "Legendary Ogre Battle") is a 1993 real-time tactical role-playing video game for the Super Nintendo Entertainment System, directed by Yasumi Matsuno with artwork by Akihiko Yoshida. It is the first installment of an episodic series (although it is supposed to be the fifth episode, the previous episodes have not yet been produced), and was originally developed by Quest for the Super Famicom system (and subsequently Sega Saturn in 1996 with vocal acting) in Japan.
Enix only distributed twenty-five thousand copies of the Super Nintendo Entertainment System version to North America, which made it one of the rarest critically acclaimed video game titles to date. As such, it can be difficult to purchase a copy of the game. It was re-released by Atlus as a PlayStation game (along with Tactics Ogre: Let Us Cling Together) in 1997 with the name of Ogre Battle: Limited Edition. The PlayStation version of the game is not as difficult to procure as the original Super Nintendo Entertainment System cartridge, but it still sells for more than $50 used. Ultimately, the Super Nintendo Entertainment System version was re-released in North America on the Virtual Console on March 2, 2009 for 800 Nintendo points ($8). It has also been released as an import in the PAL regions on July 3, 2009. A version of the game was also released for iMode mobile phones in Japan on September 1, 2010 with additional maps available for download.
The dark political narrative of the game revolving around the reality of war was inspired by series originator Yasumi Matsuno's outside perspective on events that unfolded during the Yugoslav Wars in the early 1990s, including the ethnic cleansing in Bosnia. He was also inspired by the rock band Queen's second album, which contained two songs titled "Ogre Battle" and "The March Of The Black Queen", to name this game. Even the "Rhyan Sea" in the Ogre Battle world is named after "Seven Seas of Rhye".
The next game in the series, the 7th episode, Let Us Cling Together, was similarly named after a song in the album A Day At The Races. The other Ogre Battle games in the series were not developed by Matsuno and do not have Queen songs in their subtitles. These include Ogre Battle 64: Person of Lordly Caliber, Ogre Battle: Legend of the Zenobia Prince, and Tactics Ogre: The Knight of Lodis.
Ogre Battle: The March of the Black Queen is often referred to as Ogre Battle. Four other games in the series have been released, of which Ogre Battle: Legend of the Zenobia Prince is most similar to the original, with Ogre Battle 64: Person of Lordly Caliber also being in the vein of the first offering. The other two titles, Tactics Ogre: Let Us Cling Together and Tactics Ogre: The Knight of Lodis, have more in common with Shining Force and other related video games.
Ogre Battle: The March of the Black Queen begins in the outskirts of the Zeteginan Empire, twenty-four years after the founding of the empire through conquest. The main character is leading a revolution against this empire, which has turned to evil through the use of black magic by the mage Rashidi.
The game begins with the seer Warren using tarot cards to ask a series of questions to determine the player's suitability as leader of the revolution. There are several questions out of a fixed set which are randomly asked, each of which is associated with one of the twenty-two Major Arcana cards of divinatory tarot. Each question has three possible answers: one righteous, one evil, and one neutral. After the player finishes answering the questions, Warren wishes luck for the revolution and the game begins. The player's answers to these questions determine the Lord's (main character's class) abilities and starting units.
Ogre Battle mixes movement elements of a real-time tactics game with the character development and combat of a role-playing game. The game consists of a series of battles in which the player deploys units to fight against enemies and liberate occupied towns and temples. A variety of character types can be recruited, ranging from common to rare, many of whom can change class with experience points. As a result, the character will either evolve or become an entirely new soldier with different abilities. Potential recruits consist of several historical and mythological figures, including knights, ninjas, wizards, angels, griffins, witches, and others. The player is free to organize multiple units of five fighters or less, with the limit being lower when larger characters are present. Additionally, time passes on the tactical map, alternating between day and night. In accordance with this element, vampires and werewolves will only be seen in the evening, with the former appearing in coffins during the day, and the latter appearing as normal men.
Each stage has a boss whose defeat signals the completion of the mission. Both during and after the stage, towns and temples can be visited to gain information or items. The game also features an alignment system, both for the revolution as a whole (reputation) and for individual characters (Alignment and Charisma). These parameters are influenced by how the game is played.
There are twenty-five main stages in the game, with some variation possible in how the stages are played. There are also four hidden stages accessible through the main game with an additional stage as an easter egg. Note that the game can be completed without finishing all the stages. There are thirteen different endings to the main game, depending on the conduct of the player during the course of the game.
Modes of playEdit
Ogre Battle has two main modes of play, the world map and the tactical map. On the world map, the player can manage his characters changing their class, re-ordering them into different units, and erasing them. The player can also save and load the game, as well as manage items. In addition, the world map is where the player chooses the next stage, which can either be an already completed stage or a new stage.
Once the player has selected a stage, action shifts to the tactical map. Here, the player can deploy units and move them around. Each unit has a cost associated with it which must be paid to deploy the unit and every day at noon thereafter. There is a limit on the number of units which can be deployed at one time. Characters with high alignment fight better during the day while those with low alignment fight better at night. There are also towns and temples which can be liberated by units. Upon liberation, a random tarot card is drawn which can affect either the liberating unit's statistics, the statistics of all units on the battlefield or the reputation parameter. In addition, liberated towns provide income every noon which can be used to buy items (some towns have shops which can be used when a unit is stationed there) or pay for unit costs. In addition, there are often hidden towns, temples, or items which can be found by moving a unit close to the appropriate location.
Each stage has a number of enemy units which attempt to re-capture the player's towns and temples. If a player's unit gets too close to an enemy unit, a battle ensues. During a battle, the view shifts to a close up view of the two combatant units. Characters alternate taking actions with the battle ending after one round of combat (many units can attack multiple times per round). The unit which caused the most damage is the victor and forces the other unit to retreat.
During a battle, a player does not directly control their unit, but selects a tactic for the unit to follow (Best, Strong, Weak, Leader) which the characters follow when choosing who to attack. The player can also use stored tarot cards, which can cause damage or have a special effect. The Lovers card will cause all affected enemies to fight for the player; the Moon card will change the formation of the enemy unit, causing them to attack differently; the Fool card will remove all enemies but the leader from battle. The player also has the option of retreating from any encounter.
The game introduced a moral alignment system that not only affects the gameplay but where tactical and strategic decisions have an impact on the outcome of a non-linear branching storyline, which is affected by factors such as the moral alignments of the troops used to liberate a city, whether to keep certain liberated cities guarded, making popular or unpopular decisions, concentrating power among just a few units, making deals with thieves, and a general sense of justice. These factors lead to one of 13 possible endings, alongside other factors such as how many and which units are used, how battles are fought, the army's reputation, player character's alignment and charisma, and secrets discovered.
In Ogre Battle, alignment indicates how good or evil a character is. The scale runs from 0 to 100; the higher the number, the more 'good' the character is. When characters with high alignment liberate towns, it will raise the player's reputation. Characters with high alignment will be weak against dark attacks but strong against white attacks. They will fight better in the day and worse at night. Alignment can be raised by defeating enemies whose level is higher than the player's, defeating ghosts and other dark creatures, and drawing tarot cards which raise the alignment statistic. Once the player's alignment is high, it is recommended not to exceed the level of his or her foes. Alignment will drop when the player defeats high alignment characters such as clerics and angels, or characters of a lower level. Thus, it is important for players who want to keep a high alignment to keep the fights fair.
Low alignment characters are considered more 'evil'. Consequently, they fight better at night and are weak against light attacks. Liberating towns with these types of characters will lower the player's reputation. A player whose alignment is relatively high will not necessarily be penalized for employing units of low-alignment soldiers; rather, a mix of high- and low-alignment fighters results in the most potent fighting force. Provided the player keeps low- and high-alignment characters in their own separate units, and only liberates towns with high-alignment units, he or she can still see the best ending. Conversely, one who wishes to drop his alignment can continually capture towns with a few high-level, low-alignment units. For example, one can employ a few decidedly low-alignment units to slaughter enemy units, reserving high-alignment units for liberation purposes only.
One of the most important aspects of Ogre Battle is the class system. Each character has a class which determines the characteristics of that character. There are over 75 different classes available in Ogre Battle, but any given character is limited to a subset depending on their race. For instance, human characters can either be male (fighter) or female (amazon). There are also dragons, wyrms, pumpkinheads, angels, giants, hellhounds, octopi, hawk men, demons, griffins, mermaids, golems and undead class trees. Within a tree, there are usually level, alignment, and often charisma requirements. In addition, some classes also require the use of a special item. Finally, the two human class trees are unique in that they have the most branches in their tree and characters can be demoted to move along a different path.
Apart from statistic increases at level-up, a character's class also determines how the character moves and fights. Each character has a terrain type where they move fastest and fight the best (some classes also get additional attacks), with flying characters able to move quickly over all terrain. In addition, each class has a set of attacks characters can perform, ranging from physical attacks targeting one opponent to magical attacks targeting a whole unit.
Twenty-five years prior to the beginning of the game, Empress Endora conquered the continent of Zetegenia. During her reign, a resistance organization called the Liberation Army forms to free the continent from her rule.
At the beginning of the game, the protagonist, whose name, gender, and other characteristics are chosen by the player, takes command of the Liberation Army. Throughout the course of the game, the protagonist is joined by various other characters, such as Lans Hamilton, a knight who served the king of Zenobia until the king’s death; Warren Moon, a wizard with the ability to divine the future; Tristan, the rightful prince of Zenobia; and many others.
After the Empress is slain, it is discovered that she was manipulated by Rashidi, a dark wizard in the Empress’ employ. The protagonist defeats him, but before Rashidi dies, he uses his blood to release Demundza, the king of the Underworld who was sealed away after the first great Ogre Battle. The protagonist and his army manage to seal Demundza away again before he can become too powerful.
There are more than one possible outcomes to the story depending on various factors such as the player's alignment, their reputation, and which character they choose to recruit.
The PlayStation version, which received an English release in 1997, features enhanced battle graphics not seen in the Sega Saturn edition, including new spell effects and shifting camera angles. This version also features larger text boxes. It lacks the voice acting and graphical detail for the units that was included in the Saturn game.
The Japan-only Sega Saturn version, released in 1996, features voice acting during encounters with bosses and potential recruits. The combatants have also been given a slight graphical overhaul. In addition, this version replaces the gray and yellow units on the map screen with more colorful and detailed sprites. It also includes a third viewpoint on the tactical map, allowing a more direct overhead view.
Tactics Ogre: Let Us Cling TogetherEdit
Released in 1995, Tactics Ogre represents Episode 7 in the series, continuing the story directly after Ogre Battle and the later released Ogre Battle 64. Unlike games under the Ogre Battle header, the Tactics Ogre sub-series are tactical RPG's fought on an isometric battle field. Tactics Ogre: Let Us Cling Together was remade for the PSP in 2010 under the title of Tactics Ogre: Wheel of Fate in Japan, and released in 2011 in North America under the game's original title. Wheel of Fate featured additional content expanding the story of the original release.
Ogre Battle 64: Person of Lordly CaliberEdit
Released in 1999 on the Nintendo 64, Ogre Battle 64: Person of Lordly Caliber depicts Episode 6 in the series taking place between the original Ogre Battle and Tactics Ogre. It includes a multi-targeting system that allows the player to send units to one or two additional areas before reaching their destination. Additionally, it features multiple bosses in certain levels, and inserts cut scenes between each mission. It lacks the tarot cards of the first game. It also features a more limited inventory system, reduced class changes, and includes required resting points for units.
Ogre Battle: Legend of the Zenobia PrinceEdit
Released only in Japan on the Neo Geo Pocket Color in 2000, Ogre Battle: Legend of the Zenobia Prince serves as a side story to the original Ogre Battle featuring similar game-play mechanics. Despite this, it is an original game with a new story, maps, and character classes. It retains the tarot cards of the original Ogre Battle, and includes a multi-targeting system and multiple bosses in certain levels.
Tactics Ogre: The Knight of LodisEdit
Released in 2001 on the Game Boy Advance, Tactics Ogre: The Knight of Lodis serves as a side story taking place before Episodes 5 (Ogre Battle) & 6 (Ogre Battle 64). Similar to Tactics Ogre it is a tactical RPG on an isometric battle field.
|Electronic Gaming Monthly||7.87 out of 10|
|Nintendo Power||2.93 out of 5|
Ogre Battle was rated the 180th best game made on a Nintendo System in Nintendo Power's Top 200 Games list.
- ↑ 1.0 1.1 1.2 Ogre Battle, RPGFan, accessed 2011-02-25
- ↑ "VideoGamePriceCharts.com". http://www.videogamepricecharts.com/game/playstation/ogre-battle. Retrieved 2008-04-16.
- ↑ USA VC Update: Ogre Battle: The March of the Black Queen
- ↑ Ogre Battle Goes Mobile
- ↑ Jeremy Parish, Let Us Remember Together: A Tactics Ogre Retrospective, 1UP, February 8, 2011
- ↑ Parish, Jeremy. "PlayStation Tactics". 1UP.com. http://www.1up.com/do/feature?cId=3151107. Retrieved 2010-02-04.
- ↑ Bartholow, Peter (12-3-1997). "Ogre Battle: The March of the Black Queen Review". gamespot.com. http://www.gamespot.com/ps/strategy/ogrebattlelimitededition/review.html. Retrieved 7-12-2009.
- ↑ "About Ogre Battle". fantasyanime.com. http://www.fantasyanime.com/legacy/ogreabout.htm. Retrieved 7-12-2009.
- ↑ Monnig, Wade (2000-09-26). "Import Review: Ogre Battle 64". gamespot.com. http://www.gamesarefun.com/gamesdb/review.php?reviewid=183. Retrieved 7-12-2009.
- ↑ Sato, Yukiyoshi Ike (1999-12-16). "Ogre Battle for NGPC". gamespot.com. http://www.gamespot.com/news/2447342.html. Retrieved 7-12-2009.
- ↑ 11.0 11.1 Ogre Battle: The March of the Black Queen Reviews
- ↑ RPGFan Reviews - Ogre Battle
- ↑ "NP Top 200". Nintendo Power 200: pp. 58–66. February 2006
- RPGClassics' Ogre Battle Shrine
- Ogre Battle at GameFAQs
- Ogre Battle: The March of the Black Queen at MobyGames
- Densetsu no Ogre Battle: The March of the Black Queen Instruction manual (Super Famicom) at Giant Bomb
- All 13 Game Endings
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